{"id":847,"date":"2023-05-12T09:35:54","date_gmt":"2023-05-12T06:35:54","guid":{"rendered":"https:\/\/www.arthistorystudies.lt\/?page_id=847"},"modified":"2024-03-28T11:40:36","modified_gmt":"2024-03-28T08:40:36","slug":"turinys-t-12","status":"publish","type":"page","link":"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-12\/","title":{"rendered":"Content T.12"},"content":{"rendered":"<p><em>MENO ISTORIJOS STUDIJOS<\/em><em>, <\/em>t. 12: <em>Objektas ir dekoras: paveldas, procesai, kontekstai (I<\/em><em>I<\/em><em>)<\/em><\/p>\n<p><em>ART HISTORY STUDIES<\/em><em>, <\/em>vol. 12:<em> Object and De\u0301cor: Heritage, Processes, Contexts (I<\/em><em>I<\/em><em>)<\/em><\/p>\n<p><a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2023\/05\/MIS-12__2022_internetui_petrauskaite2.pdf\" target=\"_blank\" rel=\"noopener\"><strong>Turinys \/ Table of Contents<\/strong><\/a><\/p>\n<p>Pratarm\u0117 \/ Preface <a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2023\/05\/MIS-12__2022_internetui_pratarme2.pdf\" target=\"_blank\" rel=\"noopener\"><strong>(PDF)<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2023\/05\/MIS-12__2022_internetui_pratarme2.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.53631\/MIS\/2022.12.0<\/a><\/p>\n<p>RETROSPEKCIJA IR MODERNUMAS XIX A. VID. \u2013 XX A. VID.\u00a0TIK\u0116JIMO\u00a0ERDV\u0116JE \/ RETROSPECTION AND MODERNITY IN DEVOTIONAL AND ECCLESIASTICAL ART IN 1850\u20131950<\/p>\n<p>Skirmant\u0117 Smilingyt\u0117-\u017deimien\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-12\/xix-a-vid-xx-a-pr-religiniu-paveiksleliu-puosybos-iskalba\/\">XIX a. vid. \u2013 XX a. pr. religini\u0173 paveiksl\u0117li\u0173 puo\u0161ybos i\u0161kalba \/ Eloquence of the D\u00e9cor of Holy Cards from 1840\u20131914 (Summary)<\/a><\/p>\n<p>Regimanta Stankevi\u010dien\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-12\/epochos-permainu-atspindziai-krekenavos-svc-mergeles-marijos-emimo-i-dangu-baznycios-xx-a-pr-dekore\/\">Epochos permain\u0173 atspind\u017eiai Krekenavos \u0160v\u010d. Mergel\u0117s Marijos \u0116mimo \u012f dang\u0173 ba\u017eny\u010dios XX a. pr. dekore \/ Reflections of the Changes Typical of the Era in the Early 20<sup>th<\/sup>-Century D\u00e9cor of Krekenava Church of the Blessed Virgin Mary (Summary)<\/a><\/p>\n<p>Gabija Surdokait\u0117-Vitien\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-12\/art-deco-bruozai-liturginiu-rubu-dekore-raiskos-specifika\/\"><em>Art deco <\/em>bruo\u017eai liturgini\u0173 r\u016bb\u0173 dekore: rai\u0161kos specifika \/ Art Deco Characteristics in the D\u00e9cor of Liturgical Vestments: Peculiarities of Expression (Summary)<\/a><\/p>\n<p>XX A. LIETUVI\u0160KASIS DEKORAS NAMIE IR SVETUR \/ LITHUANIAN D\u00c9COR OF THE 20<sup>TH<\/sup> CENTURY: AT HOME AND ABROAD<\/p>\n<p>Margarita Matulyt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-12\/tautines-simbolikos-tranzitas-tarpukario-lietuvoje-is-kaimo-i-miesta-is-miesto-i-kaima\/\">Tautin\u0117s simbolikos tranzitas tarpukario Lietuvoje: i\u0161 kaimo \u012f miest\u0105, i\u0161 miesto \u012f kaim\u0105 \/ Transit of National Symbols in Interwar-Period Lithuania: from the Country to the City and from the City to the Country (Summary)<\/a><\/p>\n<p>Lijana \u0160atavi\u010di\u016bt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-12\/ornamentas-kaip-tautinio-tapatumo-zymuo-xx-a-tarpukario-interjeru-ir-dizaino-raiska-puosybos-poziuriu\/\">Ornamentas kaip tautinio tapatumo \u017eymuo? XX a. tarpukario interjer\u0173 ir dizaino rai\u0161ka puo\u0161ybos po\u017ei\u016briu \/ Ornament as a Marker of National Identity? Decorations in Design and Interiors During the Interwar Period (Summary)<\/a><\/p>\n<p>Aist\u0117 Di\u010dkalnyt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-12\/tautinio-stiliaus-dekoras-xx-a-tarpukario-baldu-dizaine\/\" target=\"_blank\" rel=\"noopener\">Tautinio stiliaus dekoras XX a. tarpukario bald\u0173 dizaine \/ National-Style D\u00e9cor of the Furniture Design of the Interwar Period (Summary)<\/a><\/p>\n<p>Laura Petrauskait\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-12\/baznyciu-dekoro-kontekstai-ir-lietuviu-menininku-kuryba-jav\/\">Ba\u017eny\u010di\u0173 dekoro kontekstai ir lietuvi\u0173 meninink\u0173 k\u016bryba JAV \/ Ecclesiastical Art Contexts and the Works of the Lithuanian Artists in the USA (Summary)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>MENO ISTORIJOS STUDIJOS, t. 12: Objektas ir dekoras: paveldas, procesai, kontekstai (II) ART HISTORY STUDIES, vol. 12: Object and De\u0301cor: Heritage, Processes, Contexts (II) Turinys \/ Table of Contents Pratarm\u0117 \/ Preface (PDF) https:\/\/doi.org\/10.53631\/MIS\/2022.12.0 RETROSPEKCIJA IR MODERNUMAS XIX A. VID. \u2013 XX A. VID.\u00a0TIK\u0116JIMO\u00a0ERDV\u0116JE \/ RETROSPECTION AND MODERNITY IN DEVOTIONAL AND ECCLESIASTICAL ART IN 1850\u20131950<a href=\"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-12\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-847","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=847"}],"version-history":[{"count":19,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/847\/revisions"}],"predecessor-version":[{"id":1248,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/847\/revisions\/1248"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}