{"id":808,"date":"2023-01-28T15:08:13","date_gmt":"2023-01-28T12:08:13","guid":{"rendered":"https:\/\/www.arthistorystudies.lt\/?page_id=808"},"modified":"2024-03-26T11:57:48","modified_gmt":"2024-03-26T08:57:48","slug":"turinys-t-11","status":"publish","type":"page","link":"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-11\/","title":{"rendered":"Content T.11"},"content":{"rendered":"<p><strong><em>Objektas ir dekoras: paveldas, procesai, kontekstai (I) \/ <\/em><\/strong><strong><em>Object and D\u00e9cor: Heritage, Processes, Contexts (I)<\/em><\/strong><\/p>\n<p><a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2023\/01\/MIS-11_2022_tituliniai_sumaz.pdf\" target=\"_blank\" rel=\"noopener\"><strong>Turinys \/ Table of Contents<\/strong><\/a><\/p>\n<p>Pratarm\u0117 \/ Preface <a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2023\/01\/MIS-11_2022_p.7-8_pratarme_sumaz.pdf\" target=\"_blank\" rel=\"noopener\"><strong>(PDF)<br \/>\n<\/strong><\/a><a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2023\/01\/MIS-11_2022_p.7-8_pratarme_sumaz.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.53631\/MIS\/2022.11.0<\/a><\/p>\n<p>Giedr\u0117 Jankevi\u010di\u016bt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-11\/spalvos-samprata-ir-reiksme-vlado-dremos-menineje-kuryboje\/\">Spalvos samprata ir reik\u0161m\u0117 Vlado Dr\u0117mos menin\u0117je k\u016bryboje \/ Concept and significance of colour in the artistic work of Vladas Dr\u0117ma (Summary)<\/a><\/p>\n<p>Giedr\u0117 Mick\u016bnait\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-11\/bizantine-daile-pagoniu-rezidencijose-krevos-ir-medininku-piliu-bokstu-sienu-tapyba\/\">Bizantin\u0117 dail\u0117 pagoni\u0173 rezidencijose: Kr\u0117vos ir Medinink\u0173 pili\u0173 bok\u0161t\u0173 sien\u0173 tapyba \/ Byzantine art in pagan residencies: wall paintings in the towers of Kreva and Medininkai castles (Summary)<\/a><\/p>\n<p>Jolita Li\u0161kevi\u010dien\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-11\/radvilu-gimines-manifestacija-vilniaus-sv-jurgio-kankinio-baznycios-dekore\/\">Radvil\u0173 gimin\u0117s manifestacija Vilniaus \u0160v. Jurgio kankinio ba\u017eny\u010dios dekore \/ Manifestation of the House of Radziwill in the D\u00e9cor of Vilnius Church of St George the Martyr (Summary)<\/a><\/p>\n<p>Alant\u0117 Valtait\u0117-Gaga\u010d<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-11\/lietuvos-ir-latvijos-xvi-xviii-a-bronziniu-sietynu-dekoro-motyvai-tipologija-paplitimas-simbolika\/\">Lietuvos ir Latvijos XVI\u2013XVIII a. bronzini\u0173 sietyn\u0173 dekoro motyvai: tipologija, paplitimas, simbolika \/ The motifs of d\u00e9cor in bronze chandeliers in Lithuania and Latvia from the 16<sup>th<\/sup> to 18<sup>th<\/sup> century: typology, prevalence, symbolism (Summary)<\/a><\/p>\n<p>Karolina Bukovskyt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-11\/vilniaus-acheiropitos-sidabro-remas-dekoras-ar-komentaras\/\">Vilniaus Acheiropitos sidabro r\u0117mas: dekoras ar komentaras? \/ The silver frame of the Acheiropoieton of Vilnius: a d\u00e9cor or a commentary? (Summary)<\/a><\/p>\n<p>Dalia Vasili\u016bnien\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-11\/tarp-tradicijos-ir-pokyciu-klasicistiniai-liturginiai-indai-lietuvoje\/\">Tarp tradicijos ir poky\u010di\u0173: klasicistiniai liturginiai indai Lietuvoje \/ Between tradition and change: Classicist liturgical vessels in Lithuania (Summary)<\/a><\/p>\n<p>Jurgita Kristina Pa\u010dkauskien\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-11\/vilniaus-sv-eufrosinijos-staciatikiu-kapiniu-xix-a-i-p-antkapiniai-paminklai-tipai-ir-dekoras\/\">Vilniaus \u0161v. Eufrosinijos sta\u010diatiki\u0173 kapini\u0173 XIX a. I p. antkapiniai paminklai: tipai ir dekoras \/ Tombstones from the first half of the 19<sup>th<\/sup> Century in Vilnius St.\u00a0Euphrosyne Orthodox Cemetery: Types and D\u00e9cor (Summary)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Objektas ir dekoras: paveldas, procesai, kontekstai (I) \/ Object and D\u00e9cor: Heritage, Processes, Contexts (I) Turinys \/ Table of Contents Pratarm\u0117 \/ Preface (PDF) https:\/\/doi.org\/10.53631\/MIS\/2022.11.0 Giedr\u0117 Jankevi\u010di\u016bt\u0117 Spalvos samprata ir reik\u0161m\u0117 Vlado Dr\u0117mos menin\u0117je k\u016bryboje \/ Concept and significance of colour in the artistic work of Vladas Dr\u0117ma (Summary) Giedr\u0117 Mick\u016bnait\u0117 Bizantin\u0117 dail\u0117 pagoni\u0173 rezidencijose:<a href=\"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-11\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-808","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=808"}],"version-history":[{"count":21,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/808\/revisions"}],"predecessor-version":[{"id":1210,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/808\/revisions\/1210"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}