{"id":759,"date":"2022-12-29T14:53:03","date_gmt":"2022-12-29T11:53:03","guid":{"rendered":"https:\/\/www.arthistorystudies.lt\/?page_id=759"},"modified":"2024-06-08T09:51:10","modified_gmt":"2024-06-08T06:51:10","slug":"turinys-t-9","status":"publish","type":"page","link":"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-9\/","title":{"rendered":"Content T.9"},"content":{"rendered":"<p><a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/MIS-9_tituliniai_compressed.pdf\">Table of Contents<\/a><\/p>\n<p>Giedr\u0117 Jankevi\u010di\u016bt\u0117<br \/>\nEditor\u2019s Foreword \/ Pratarm\u0117 <a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/MIS-9_2021_p.7-10_compressed.pdf\" target=\"_blank\" rel=\"noopener\"><strong>(PDF)<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/MIS-9_2021_p.7-10_compressed.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.53631\/MIS\/2021.9.9<\/a><\/p>\n<p>Vasilijus Safronovas<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/vilhelmo-laikotarpio-vokietijos-paminklai-memelyje-klaipedoje-inasas-i-konkuruojanciu-atminciu-istorija\/\" rel=\"noopener\">Monuments of Wilhelmine Germany in Memel \/ Klaip\u0117da: A Contribution to the History of Contested Memory \/ Vilhelmo laikotarpio Vokietijos paminklai Memelyje \/ Klaip\u0117doje: \u012fna\u0161as \u012f konkuruojan\u010di\u0173 atmin\u010di\u0173 istorij\u0105 (Summary)<\/a><\/p>\n<p>Serena De Dominicis<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/pasalintas-ar-nematomas-apie-italijos-kolonijinio-meno-palikimo-pedsakus\/\" rel=\"noopener\">Removed or Ignored: On the Traces of the Italian Colonial Artistic Legacy \/ Pa\u0161alintas ar nematomas: apie Italijos kolonijinio meno palikimo p\u0117dsakus (Summary)<\/a><\/p>\n<p>Laura Petrauskait\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/jono-rimsos-tapyba-valstybinese-ir-privaciose-kolekcijose-egzotika-ar-nepatogus-paveldas\/\" rel=\"noopener\">Jonas Rim\u0161a\u2019s Paintings in Public and Private Art Collections: Exotica or an Inconvenient Heritage? \/ Jono Rim\u0161os tapyba valstybin\u0117se ir priva\u010diose kolekcijose: egzotika ar nepatogus paveldas? (Summary)<\/a><\/p>\n<p>Gra\u017eina Kristina Sviderskyt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/lituanicos-materialiojo-paveldo-teisiniai-bei-etiniai-aspektai-ir-heroizavimo-efektas\/\" rel=\"noopener\">The Heroisation Effect and the Ethico-Legal Considerations behind the Heritage of Lituanica \/ Lituanicos materialiojo paveldo teisiniai bei etiniai aspektai ir heroizavimo efektas (Summary)<\/a><\/p>\n<p>\u0160ar\u016bn\u0117 Sederevi\u010di\u016bt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/istorines-fotografijos-kritinio-tyrimo-praktiniai-klausimai-kauno-geto-fotografo-hirso-kadusino-atvejis\/\" rel=\"noopener\">Practical Issues in Critical Research of Historical Photography: The Case of Kaunas Ghetto Photographer Zvi Hirsh Kadushin \/ Istorin\u0117s fotografijos kritinio tyrimo praktiniai klausimai: Kauno geto fotografo Hir\u0161o Kadu\u0161ino atvejis (Summary)<\/a><\/p>\n<p>Indr\u0117 Urbelyt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/sovietiniai-karo-paminklai-pergales-paminklo-kaliningrade-atvejis\/\" rel=\"noopener\">Soviet War Memorials: the Case of the Monument for Victory in Kaliningrad \/ Sovietiniai karo paminklai: Pergal\u0117s paminklo Kaliningrade atvejis (Summary)<\/a><\/p>\n<p>R\u016bta Stanevi\u010di\u016bt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/uz-ka-lietuvos-kompozitoriai-gavo-stalino-premija-1948-ieji-metai-ir-lietuvos-muzika\/\" rel=\"noopener\">What did Lithuanian Composers Receive the Stalin Prize for? The Year 1948 and Lithuanian Music \/ U\u017e k\u0105 Lietuvos kompozitoriai gavo Stalino premij\u0105? 1948-ieji metai ir Lietuvos muzika (Summary)<\/a><\/p>\n<p>Katarina Lopatkina<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/paslepti-meksikos-lobiai-meksikos-modernizmo-dailininku-kuriniai-sovietinese-kolekcijose\/\" rel=\"noopener\">Hidden Mexican Treasures. Works by Modern Mexican Artists in Soviet Collections \/ Pasl\u0117pti Meksikos lobiai. Meksikos modernizmo dailinink\u0173 k\u016briniai sovietin\u0117se kolekcijose (Summary)<\/a><\/p>\n<p>Annex<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-9\/the-pavilion-of-the-soviet-baltic-republics-at-the-1941-all-union-agricultural-exhibition-in-moscow-historical-fragments-based-on-the-conversation-of-dmitry-vorobyev-%d0%b4%d0%bc%d0%b8%d1%82%d1%80\/\" rel=\"noopener\">The Pavilion of the Soviet Baltic Republics at the 1941 All-Union Agricultural Exhibition in Moscow: Historical Fragments Based on the Conversation of Dmitry Vorobyev (\u0414\u043c\u0438\u0442\u0440\u0438\u0439 \u0412\u043e\u0440\u043e\u0431\u044c\u0451\u0432) and Giedr\u0117 Jankevi\u010di\u016bt\u0117 (Summary)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Table of Contents Giedr\u0117 Jankevi\u010di\u016bt\u0117 Editor\u2019s Foreword \/ Pratarm\u0117 (PDF) https:\/\/doi.org\/10.53631\/MIS\/2021.9.9 Vasilijus Safronovas Monuments of Wilhelmine Germany in Memel \/ Klaip\u0117da: A Contribution to the History of Contested Memory \/ Vilhelmo laikotarpio Vokietijos paminklai Memelyje \/ Klaip\u0117doje: \u012fna\u0161as \u012f konkuruojan\u010di\u0173 atmin\u010di\u0173 istorij\u0105 (Summary) Serena De Dominicis Removed or Ignored: On the Traces of the Italian<a href=\"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-9\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-759","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=759"}],"version-history":[{"count":27,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/759\/revisions"}],"predecessor-version":[{"id":1595,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/759\/revisions\/1595"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}