{"id":735,"date":"2022-12-29T14:35:35","date_gmt":"2022-12-29T11:35:35","guid":{"rendered":"https:\/\/www.arthistorystudies.lt\/?page_id=735"},"modified":"2024-08-01T14:43:40","modified_gmt":"2024-08-01T11:43:40","slug":"turinys-t-8","status":"publish","type":"page","link":"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-8\/","title":{"rendered":"Content T.8"},"content":{"rendered":"<p><a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/DIS-8_tituliniai_compressed.pdf\" target=\"_blank\" rel=\"noopener\">Contents<\/a><\/p>\n<p><a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/DIS-8_2017_p.6-13_compressed.pdf\" target=\"_blank\" rel=\"noopener\">Introduction<br \/>\n<\/a><a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/DIS-8_2017_p.6-13_compressed.pdf\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/doi.org\/10.53631\/DIS\/2017.8.10<\/strong><\/a><\/p>\n<p>Katarzyna Chrudzimska-Uhera<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/dailininku-kolonijos-kaip-atsakas-i-modernybes-patirti-zakopanes-atvejis-santrauka\/\">Artists\u2019 Colonies as a Response to the Experience of Modernity. The Case of Zakopane \/ Dailinink\u0173 kolonijos kaip atsakas \u012f modernyb\u0117s patirt\u012f: Zakopan\u0117s atvejis (Summary)<\/a><\/p>\n<p>Zs\u00f3fia Tur\u00f3czy<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/ar-utopija-traukia-utopija-masonai-vengrijos-menininku-kolonijose-santrauka\/\">Does Utopia Attract Utopia? Freemasons in Hungarian Artists\u2019 Colonies \/ Ar utopija traukia utopij\u0105? Masonai Vengrijos meninink\u0173 kolonijose (Summary)<\/a><\/p>\n<p>Vera Faber<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/utopines-ateities-vizijos-paremtos-praeitimi-folk-futuristu-amatininkiu-kooperatyvai-santrauka\/\">Utopian Vision of the Future by Referring to the Past \u2013 the Female Artisan Cooperatives of \u2018Folk Futurists\u2019 \/ Utopin\u0117s ateities vizijos, paremtos praeitimi \u2013 \u201efolk-futurist\u0173\u201c amatininki\u0173 kooperatyvai (Summary)<\/a><\/p>\n<p>Marina Dmitrieva<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/grizimas-prie-saknu-kaimo-itakos-vengrijos-ir-rusijos-dailininku-kolonijose-santrauka\/\">The Return to the Origins. Rural Inspirations in Artists\u2019 Colonies in Hungary and Russia \/ Gr\u012f\u017eimas prie \u0161akn\u0173. Kaimo \u012ftakos Vengrijos ir Rusijos dailinink\u0173 kolonijose (Summary)<\/a><\/p>\n<p>Giedr\u0117 Jankevi\u010di\u016bt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/zemaitijos-mitas-xx-a-lietuvos-vizualiajame-mene-santrauka\/\">The Myth of Samogitia in Lithuanian Visual Art of the 20th Century \/ \u017demaitijos mitas 20 a. Lietuvos vizualiajame mene (Summary)<\/a><\/p>\n<p>Laima Lau\u010dkait\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/palangos-dailininku-kurybos-namai-strukturuota-utopija-santrauka\/\">The House of Creativity in Palanga: A Structured Utopia \/ Palangos dailinink\u0173 k\u016brybos namai: strukt\u016bruota utopija (Ssummary)<\/a><\/p>\n<p>Elona Lubyt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/dailininku-bendruomene-lietuvdailininku-bendruomene-lietuvoje-vilniaus-jeruzales-skulpturu-sodo-atvejis-santraukaoje-vilniaus-jeruzales-skulpturu-sodo-atvejis-santrauka\/\" target=\"_blank\" rel=\"noopener\">Artists\u2019 Community in Soviet Lithuania: Case Study of the Vilnius Jeruzal\u0117 Garden \/ Dailinink\u0173 bendruomen\u0117 Lietuvoje: Vilniaus Jeruzal\u0117s skulpt\u016br\u0173 sodo atvejis (Summary)<\/a><\/p>\n<p>Marija Dr\u0117mait\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/menininku-bustai-sovietineje-lietuvoje-kaip-kurybinio-elito-architekturine-privilegija-santrauka\/\">Artists\u2019 Dwellings in Soviet Lithuania as an Architectural Expression of Privileged Creative Classes \/ Meninink\u0173 b\u016bstai sovietin\u0117je Lietuvoje kaip k\u016brybinio elito architekt\u016brin\u0117 privilegija (Summary)<\/a><\/p>\n<p>Vilius Ivanauskas<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/turinys-t-8\/lietuvos-sovietiniu-rasytoju-bendruomene-ir-postalinizmo-reiksme-santrauka\/\">Making Sense of Post-Stalinism: The Lithuanian Writers\u2019 Community \/ Lietuvos sovietini\u0173 ra\u0161ytoj\u0173 bendruomen\u0117 ir postalinizmo reik\u0161m\u0117 (Summary)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Contents Introduction https:\/\/doi.org\/10.53631\/DIS\/2017.8.10 Katarzyna Chrudzimska-Uhera Artists\u2019 Colonies as a Response to the Experience of Modernity. The Case of Zakopane \/ Dailinink\u0173 kolonijos kaip atsakas \u012f modernyb\u0117s patirt\u012f: Zakopan\u0117s atvejis (Summary) Zs\u00f3fia Tur\u00f3czy Does Utopia Attract Utopia? Freemasons in Hungarian Artists\u2019 Colonies \/ Ar utopija traukia utopij\u0105? Masonai Vengrijos meninink\u0173 kolonijose (Summary) Vera Faber Utopian Vision<a href=\"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-8\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-735","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=735"}],"version-history":[{"count":14,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/735\/revisions"}],"predecessor-version":[{"id":1949,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/735\/revisions\/1949"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}