{"id":626,"date":"2022-12-29T11:39:02","date_gmt":"2022-12-29T08:39:02","guid":{"rendered":"https:\/\/www.arthistorystudies.lt\/?page_id=626"},"modified":"2024-07-30T16:27:19","modified_gmt":"2024-07-30T13:27:19","slug":"turinys-t-5","status":"publish","type":"page","link":"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-5\/","title":{"rendered":"Content T.5"},"content":{"rendered":"

Titulinis puslapis \/ Content page<\/a><\/p>\n

Giedr\u0117 Jankevi\u010di\u016bt\u0117, Laima Lau\u010dkait\u0117
\nIntroduction<\/a>
\nhttps:\/\/doi.org\/10.53631\/DIS\/2012.5.21<\/strong><\/a><\/p>\n

Kristi\u0101na \u0100bele
\nOut from Behind the Fireplace. The Progress of Latvian National Emancipation in Art Life during the First World War \/ U\u017e nam\u0173 \u017eidinio. Latvi\u0161kumo \u012fsitvirtinimas dail\u0117s gyvenime Pirmojo pasaulinio karo metais (Summary)<\/a><\/p>\n

Mikl\u00f3s Sz\u00e9kely
\nArt Exhibitions Abroad as a Communication Strategy: The Case of Hungary between 1914 and 1918 \/ Dail\u0117s parodos u\u017esienyje kaip komunikavimo strategija: Vengrija 1914\u20131918 (Summary)<\/a><\/p>\n

Lijana \u0160atavi\u010di\u016bt\u0117
\nA Vilnius Diary: Lithuanian Fine Crafts during the First World War \/ Vilniaus dienora\u0161tis: Lietuvos dailieji amatai Pirmojo pasaulinio karo metais (1914\u20131918) (Summary)<\/a><\/p>\n

Stella Pel\u0161e
\nThe First World War and its Aftermath in Latvian Writing on Art \/ Pirmasis pasaulinis karas ir jo atgarsiai Latvijos dail\u0117s kritikoje (Summary)<\/a><\/p>\n

Elena Kulchinskaya
\nThe Protection of Architectural Monuments in Russia during the First World War \/ Architekt\u016bros paminkl\u0173 apsauga Rusijoje Pirmojo pasaulinio karo metais (Summary)<\/a><\/p>\n

Kai Artinger
\nGiotto, Michelangelo, Raphael and the First World War: William Orpen\u2019s Picture of a\u2018Simple Soldier man\u2019s\u2019 Death \/ Giotto, Michelangelo, Raphael ir Pirmasis pasaulinis karas. Williamo Orpeno \u201epaprasto kareivio\u201c paveikslas (Summary)<\/a><\/p>\n

Laima Lau\u010dkait\u0117
\nThe Image of an Occupied City: Walter Buhe\u2019s Vilnius of the First World War \/ Okupuoto miesto vaizdas: Walterio Buhe\u2019s Vilnius Pirmojo pasaulinio karo metais (Summary)<\/a><\/p>\n

Irina Pronina
\nFuturist Battles and the First World War. Pavel Filonov between 1914 and 1919 \/ Futuristiniai m\u016b\u0161iai ir Pirmasis pasaulinis karas. Pavelas Filonovas 1914\u20131919 (Summary)<\/a><\/p>\n

Eduards K\u013cavi\u0146\u0161
\nPatriotic Rhetoric and the Grim Realities of the First World War in Latvian Art: The Case of J\u0101zeps Grosvalds \/ Patriotin\u0117 retorika ir \u017eiauri tikrov\u0117 Pirmojo pasaulinio karo Latvijos dail\u0117je: J\u0101zeps Grosvalds (Summary)<\/a><\/p>\n

Jonathan Black
\nStrident Supermen? Constructions of British Masculinity and the Image of the Hero in the Second World War Portraiture of Eric Kennington (1888\u20131960) \/ Akinantis supermenas? Briti\u0161ko vyri\u0161kumo konstravimas ir Antrojo pasaulinio karo herojaus atvaizdas Erico Kenningtono portretuose (Summary)<\/a><\/p>\n

Vojt\u011bch Lahoda
\nLiving in Peace? Degenerate Art and Czech Modernism in the Protectorate of Bohemia and Moravia \/ Taikus sugyvenimas? \u201eI\u0161sigim\u0119s menas\u201c ir \u010dek\u0173 modernizmas Bohemijos ir Moravijos protektorate (Summary)<\/a><\/p>\n

Anna Pravdov\u00e1
\nCzech Artists who Fled to France during the Second World War and their Cultural Resistance in Paris \/ \u010cek\u0173 dailininkai Pranc\u016bzijoje ir j\u0173 kult\u016brin\u0117 rezistencija Pary\u017eiuje Antrojo pasaulinio karo metais (Summary)<\/a><\/p>\n

Milan Pech
\nHistoricist Trends in Czech Art during the Second World War \/ Istorizmo tendencija Antrojo pasaulinio karo met\u0173 \u010dek\u0173 dail\u0117je (Summary)<\/a><\/p>\n

Giedr\u0117 Jankevi\u010di\u016bt\u0117
\nIntimism in Lithuanian Art during the Second World War \/ Intymizmas Antrojo pasaulinio karo Lietuvos dail\u0117je (Summary)<\/a><\/p>\n

Kristina J\u00f5ekalda
\nArchitectural Monuments as a Resource: Reworking Heritage and Ideologies in Nazi-Occupied Estonia \/ Architekt\u016bros paminklai kaip i\u0161teklius: persvarstant paveld\u0105 ir ideologijas naci\u0173 okupuotoje Estijoje (Summary)<\/a><\/p>\n

J\u0101nis Kalna\u010ds
\nArtists in Latvia under the Nazi Occupation. War, Occupation and Power \/ Dailininkas naci\u0173 okupuotoje Latvijoje. Karas, okupacija, vald\u017eia (Summary)<\/a><\/p>\n

Ieva Antanavi\u010di\u016bt\u0117
\nUrban Development in Vilnius during the Second World War \/ Vilniaus urbanistin\u0117 raida Antrojo pasaulinio karo metu (Summary)<\/a><\/p>\n

Uladzimir Valodzin
\nJanka Ka\u0161kiel: An Accomplice in Crimes or the Victim of Two Dictatorships? The Fate of a Caricaturist in the Service of the Stalinist and Nazi Regimes \/ Janka Ka\u0161kielis: nusikaltim\u0173 bendrininkas ar dviej\u0173 diktat\u016br\u0173 auka? Stalininio ir naci\u0173 re\u017eim\u0173 karikat\u016bristo likimas (Summary)<\/a><\/p>\n

Lars Olof Larsson
\nMerry Town Planning (Fr\u00f6hliche Neugestaltung<\/em>): Humorous Comments on the Reshaping of Berlin during the Nazi Period \/ Fr\u00f6hliche Neugestaltung<\/em> \u2013 Linksmasis miest\u0173 planavimas<\/em>. Humoristiniai komentarai apie Berlyno perstatym\u0105 naci\u0173 valdymo metais (Summary)<\/a><\/p>\n

Gregory Maertz
\nThe Last Taboo: The Postwar Rehabilitation of Nazi Artists \/ Paskutinis tabu: pokarin\u0117 naci\u0173 dailinink\u0173 reabilitacija (Summary)<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Titulinis puslapis \/ Content page Giedr\u0117 Jankevi\u010di\u016bt\u0117, Laima Lau\u010dkait\u0117 Introduction https:\/\/doi.org\/10.53631\/DIS\/2012.5.21 Kristi\u0101na \u0100bele Out from Behind the Fireplace. The Progress of Latvian National Emancipation in Art Life during the First World War \/ U\u017e nam\u0173 \u017eidinio. Latvi\u0161kumo \u012fsitvirtinimas dail\u0117s gyvenime Pirmojo pasaulinio karo metais (Summary) Mikl\u00f3s Sz\u00e9kely Art Exhibitions Abroad as a Communication Strategy: The[…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-626","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=626"}],"version-history":[{"count":35,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/626\/revisions"}],"predecessor-version":[{"id":1921,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/626\/revisions\/1921"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}