Turinys | Table of Contents<\/p>\n
Dalia Vasili\u016bnien\u0117<\/p>\n
Pratarm\u0117 (PDF)<\/strong><\/a> Gintautas \u017dal\u0117nas Lijana Bir\u0161kyt\u0117-Klimien\u0117 Karolina Bukovskyt\u0117 Gabija Surdokait\u0117-Vitien\u0117<\/p>\n Liturgini\u0173 r\u016bb\u0173 siuvimas ir siuvin\u0117jimas Kauno benediktini\u0173 vienuolyne \/ The Sewing and Embroidery of Liturgical Vestments at the Benedictine Monastery of Kaunas (Summary)<\/a><\/p>\n Krista Petrauska Turinys | Table of Contents Dalia Vasili\u016bnien\u0117 Pratarm\u0117 (PDF) https:\/\/doi.org\/10.53631\/MIS\/2025.18.6 Gintautas \u017dal\u0117nas Josvaini\u0173 ba\u017eny\u010dios Dievo Motinos paveikslo genez\u0117 ir istorinis kontekstas \/ The Origin and Historical Context of the Painting of Our Lady in the Church of Josvainiai (Summary) Lijana Bir\u0161kyt\u0117-Klimien\u0117 \u201e\u0160v\u010d.\u00a0Mergel\u0117s Marijos aukl\u0117jimo\u201c ikonografija Lietuvoje XVIII\u2013XIX\u00a0a.: \u00a0nuo Europos grafikos pavyzd\u017ei\u0173 iki kopij\u0173 \/ The[…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":269,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2182","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=2182"}],"version-history":[{"count":6,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2182\/revisions"}],"predecessor-version":[{"id":2205,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2182\/revisions\/2205"}],"up":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/269"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=2182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nhttps:\/\/doi.org\/10.53631\/MIS\/2025.18.6<\/a><\/p>\n
\nJosvaini\u0173 ba\u017eny\u010dios Dievo Motinos paveikslo genez\u0117 ir istorinis kontekstas \/ The Origin and Historical Context of the Painting of Our Lady in the Church of Josvainiai (Summary)<\/a><\/p>\n
\n\u201e\u0160v\u010d.\u00a0Mergel\u0117s Marijos aukl\u0117jimo\u201c ikonografija Lietuvoje XVIII\u2013XIX\u00a0a.: \u00a0nuo Europos grafikos pavyzd\u017ei\u0173 iki kopij\u0173 \/ The Iconography of the Education of the Blessed Virgin Mary<\/em> in Lithuania in the Eighteenth and Nineteenth Centuries: From European Graphic Examples to Derivations (Summary)<\/a><\/p>\n
\nKarali\u0161ki\u0173 cerkv\u0117s ikon\u0173 teologin\u0117 prasm\u0117 ir menin\u0117 vert\u0117 \/ The Theological Meaning and Artistic Value of the Icons from the Karali\u0161kiai One Believers\u2019 Orthodox Church (Summary)<\/a><\/p>\n
\nChristian Altarpiece Painters in Soviet Latvia from 1945 to 1990 \/ Krik\u0161\u010dioni\u0161k\u0173 altorini\u0173 paveiksl\u0173 tapytojai Soviet\u0173 Latvijoje (1945\u20131990) (Santrauka)<\/a><\/p>","protected":false},"excerpt":{"rendered":"