Turinys | Table of Contents<\/p>\n
Martynas Petrikas<\/p>\n
Pratarm\u0117 \/ Editor\u2019s Foreword (PDF)<\/strong><\/a> Renata Sema\u0161kien\u0117 Ingrida Ragelskien\u0117 Ed\u012bte Ti\u0161heizere Anneli Saro, Hedi-Liis Toome Rasa Vasinauskait\u0117 Vytaut\u0117 Markeli\u016bnien\u0117 Helmutas \u0160abasevi\u010dius Laima Budzinauskien\u0117 R\u016bta Ma\u017eeikien\u0117 Turinys | Table of Contents Martynas Petrikas Pratarm\u0117 \/ Editor\u2019s Foreword (PDF) https:\/\/doi.org\/10.53631\/MIS\/2025.17.10 Renata Sema\u0161kien\u0117 Vilniaus senojo teatro tapatyb\u0117s paie\u0161kos dviej\u0173 istorini\u0173 l\u016b\u017ei\u0173 akivaizdoje \/ The Identity Transformation of Vilnius Old Theatre in the Context of Two Historical Turning Points (Summary) Ingrida Ragelskien\u0117 \u0160iuolaiki\u0161kumas kaip i\u0161likimo strategija: Vilniaus senojo teatro repertuaro kaita ir raidos tendencijos[…]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":269,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2110","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=2110"}],"version-history":[{"count":15,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2110\/revisions"}],"predecessor-version":[{"id":2166,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2110\/revisions\/2166"}],"up":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/269"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=2110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nhttps:\/\/doi.org\/10.53631\/MIS\/2025.17.10<\/a><\/p>\n
\nVilniaus senojo teatro tapatyb\u0117s paie\u0161kos dviej\u0173 istorini\u0173 l\u016b\u017ei\u0173 akivaizdoje \/ The Identity Transformation of Vilnius Old Theatre in the Context of Two Historical Turning Points (Summary)<\/a><\/p>\n
\n\u0160iuolaiki\u0161kumas kaip i\u0161likimo strategija: Vilniaus senojo teatro repertuaro kaita ir raidos tendencijos 2000\u20132025 metais \/ Contemporaneity as a Survival Strategy: Changes in the Repertoire and Development Trends of the Old Theater of Vilnius in 2000\u20132025 (Summary)<\/a><\/p>\n
\nTo Transcend Trauma or to Internalize and Preserve It. Russian Exile Artists in Latvia \/ \u012eveikti traum\u0105 ar j\u0105 \u012fsis\u0105moninti ir i\u0161saugoti. I\u0161 Rusijos emigrav\u0119 menininkai Latvijoje (Summary)<\/a><\/p>\n
\nFunctions of Russian Theatre in Estonia\u00a0\u2013 an Example of Hostility and Hospitality \/ Rus\u0173 teatro funkcijos Estijoje \u2013 prie\u0161i\u0161kumo ir svetingumo pavyzdys (Summary)<\/a><\/p>\n
\nVilniaus dramos teatro (\u012f)steigimas: tarp meno ir propagandos \/ The Founding of the Vilnius Drama Theater: Between Art and Propaganda (Summary)<\/a><\/p>\n
\nVilniaus operos trup\u0117 (1942\u20131944) am\u017einink\u0173 u\u017era\u0161uose \/ Vilnius Opera Company (1942\u20131944) in the Records of Contemporaries (Summary)<\/a><\/p>\n
\nVilniaus senasis teatras\u00a0\u2013 choreografini\u0173 eksperiment\u0173 erdv\u0117 \/ Vilnius Old Theatre \u2013 a Space for Choreographic Experiments (Summary)<\/a><\/p>\n
\nKuklus muzikinio gyvenimo liudytojas did\u017ei\u0173 veikl\u0173 suk\u016bryje: lietuvi\u0173-ukrainie\u010di\u0173 draugij\u0173 muzikin\u0117 veikla Tarpukario Kaune (1928\u22121940) \/ A Modest Witness of Musical Life in the Midst of Great Achievements: Musical Activities of Lithuanian-Ukrainian Societies in Interwar Kaunas (1928\u20131940) (Summary)<\/a><\/p>\n
\n\u0160iuolaikinis karnavalas kaip bendruomenes \u012ftraukianti dalyvaujamojo meno forma: Fluxus festivalio Kaune atvejis \/ Contemporary Carnival as a Community Engaging Participatory Art Form: the Case of the Fluxus Festival in Kaunas (Summary)<\/a><\/p>","protected":false},"excerpt":{"rendered":"