{"id":2020,"date":"2025-02-04T11:52:55","date_gmt":"2025-02-04T08:52:55","guid":{"rendered":"https:\/\/www.arthistorystudies.lt\/?page_id=2020"},"modified":"2025-02-04T16:06:28","modified_gmt":"2025-02-04T13:06:28","slug":"turinys-t-16","status":"publish","type":"page","link":"https:\/\/www.arthistorystudies.lt\/en\/archyvas\/turinys-t-16\/","title":{"rendered":"Content T.16"},"content":{"rendered":"<p>Turinys \/ Table of Contents<\/p>\n<p>Erika Grigoravi\u010dien\u0117<\/p>\n<p>Pratarm\u0117 \/ Editor\u2019s Foreword <a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2025\/02\/10_MIS-16__2024-Grigoraviciene-Pratarme.pdf\" target=\"_blank\" rel=\"noopener\"><strong>(PDF)<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2025\/02\/10_MIS-16__2024-Grigoraviciene-Pratarme.pdf\" target=\"_blank\" rel=\"noopener\">https:\/\/doi.org\/10.53631\/MIS\/2024.16.10<\/a><\/p>\n<p>Skaidra Trilupaityt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/susitinkame-prie-ambasados-socialiniai-tinklai-ir-spontaniski-antikariniai-protestai-2022-m-vilniuje\/\">Susitinkame prie ambasados! Socialiniai tinklai ir spontani\u0161ki antikariniai protestai 2022 m. Vilniuje \/ Let\u2019s Meet in Front of the Embassy! Social Networks and the 2022 Spontaneous Anti-War Protests in Vilnius (Summary)<\/a><\/p>\n<p>Erika Grigoravi\u010dien\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/siu-dienu-mirties-sokis-mindaugo-lukosaicio-piesiniu-serija-z-2022\/\">\u0160i\u0173 dien\u0173 <em>mirties \u0161okis<\/em>: Mindaugo Luko\u0161ai\u010dio pie\u0161ini\u0173 serija <em>Z<\/em> (2022) \/ <em>Danse Macabre <\/em>Now:<em> Z <\/em>(2022), a Series of Drawings by Mindaugas Luko\u0161aitis (Summary)<\/a><\/p>\n<p>Agn\u0117 Naru\u0161yt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/istorijos-paraleles-ir-pakartojimai-dainiaus-liskeviciaus-performansas-ukrainai-palaikyti-ten-yra-versme\/\" target=\"_blank\" rel=\"noopener\">Istorijos paralel\u0117s ir pakartojimai: Dainiaus Li\u0161kevi\u010diaus performansas Ukrainai palaikyti \u201eTen yra Versm\u0117?\u201c \/ Historical Parallels and Repetitions: <em>Is There a Source Over There?\u00a0<\/em>\u2013 a Performance by Dainius Li\u0161kevi\u010dius in Support of Ukraine (Summary)<\/a><\/p>\n<p>Linas Bli\u0161kevi\u010dius<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/karo-recepcija-jutimu-strukturos-kontekste\/\" target=\"_blank\" rel=\"noopener\">Karo recepcija jutim\u0173 strukt\u016bros kontekste \/ Reception of War in the Context of Structure of Feeling (Summary)<\/a><\/p>\n<p>Narius Kairys, Nerijus Milerius<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/ar-kas-nors-patikes-kinematografiniai-liudijimai-is-mariupolio\/\">Will they Believe? Cinematic Testimonies from Mariupol \/ Ar kas nors patik\u0117s? Kinematografiniai liudijimai i\u0161 Mariupolio (Summary)<\/a><\/p>\n<p>Renata Stonyt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/politinis-luzis-ukrainieciu-dokumentiniuose-filmuose\/\">Politinis l\u016b\u017eis ukrainie\u010di\u0173 dokumentiniuose filmuose \/ Political Turning Point in Ukrainian Documentary Films (Summary)<\/a><\/p>\n<p>Renata \u0160ukaityt\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/lietuvos-kino-bendruomene-naujame-saltajame-kare\/\">Lietuvos kino bendruomen\u0117 naujame (\u0161altajame) kare \/ The Lithuanian Film Community in the New (Cold) War (Summary)<\/a><\/p>\n<p>Monika Gimbutait\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/zalgiris-pries-margiri-lietuvos-tukstantmeciui-skirto-istorinio-filmo-kurimo-konkursas-kaip-kino-politikos-simptomas\/\">\u017dalgiris prie\u0161 Margir\u012f: Lietuvos t\u016bkstantme\u010diui skirto istorinio filmo k\u016brimo konkursas kaip kino politikos simptomas \/ Margiris <em>versus<\/em> \u017dalgiris: The Historical Film Competition for the Millennium of Lithuania as a Symptom of Film Policy (Summary)<\/a><\/p>\n<p>Egl\u0117 Gr\u0117bliauskait\u0117<br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/archyvas\/turinys-t-16\/snabztantys-apribojimai-savicenzura-ir-minkstoji-cenzura-meno-autonomija-ir-petro-cvirkos-paminklo-atvejis-lietuvoje\/\">Whispers of Constraint: Soft and Self-Censorship, Artistic Autonomy, and the Cvirka Monument Case in Lithuania \/ \u0160nab\u017etantys apribojimai: savicenz\u016bra ir mink\u0161toji cenz\u016bra, meno autonomija ir Petro Cvirkos paminklo atvejis Lietuvoje (Summary)<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Turinys \/ Table of Contents Erika Grigoravi\u010dien\u0117 Pratarm\u0117 \/ Editor\u2019s Foreword (PDF) https:\/\/doi.org\/10.53631\/MIS\/2024.16.10 Skaidra Trilupaityt\u0117 Susitinkame prie ambasados! Socialiniai tinklai ir spontani\u0161ki antikariniai protestai 2022 m. Vilniuje \/ Let\u2019s Meet in Front of the Embassy! Social Networks and the 2022 Spontaneous Anti-War Protests in Vilnius (Summary) Erika Grigoravi\u010dien\u0117 \u0160i\u0173 dien\u0173 mirties \u0161okis: Mindaugo Luko\u0161ai\u010dio pie\u0161ini\u0173<a href=\"https:\/\/www.arthistorystudies.lt\/en\/archyvas\/turinys-t-16\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":269,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2020","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=2020"}],"version-history":[{"count":19,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2020\/revisions"}],"predecessor-version":[{"id":2074,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/2020\/revisions\/2074"}],"up":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/269"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=2020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}