{"id":1709,"date":"2024-07-06T10:54:23","date_gmt":"2024-07-06T07:54:23","guid":{"rendered":"https:\/\/www.arthistorystudies.lt\/?page_id=1709"},"modified":"2024-07-07T21:31:39","modified_gmt":"2024-07-07T18:31:39","slug":"zodziu-iamzinti-vaizdai-xvii-amziaus-progine-architektura-spausdintuose-laidotuviu-pamoksluose-ir-rankrastiniuose-dokumentuose-santrauka","status":"publish","type":"page","link":"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-4\/zodziu-iamzinti-vaizdai-xvii-amziaus-progine-architektura-spausdintuose-laidotuviu-pamoksluose-ir-rankrastiniuose-dokumentuose-santrauka\/","title":{"rendered":"Images Captured in Words: Commemorative Architecture in Printed Funeral Sermons and Manuscript Documents of the 17th Century (Summary)"},"content":{"rendered":"<p><strong>Mariola Jarczykowa <a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/DIS-4_p.105-121_CompressPdf.pdf\" target=\"_blank\" rel=\"noopener\">(PDF)<\/a><\/strong><br \/>\n<a href=\"https:\/\/www.arthistorystudies.lt\/wp-content\/uploads\/2022\/12\/DIS-4_p.105-121_CompressPdf.pdf\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/doi.org\/10.53631\/DIS\/2010.4.5<\/strong><\/a><\/p>\n<p>This article discusses texts that refer to the commemorative architecture of the 17th century. These are usually funeral sermons. They describe coats of arms and the decoration of church interiors. In his speech for the funeral of Katarzyna Potocka Radziwi\u0142\u0142, \u2018The Tiara of Eternity\u2019 (Tiara wieczno\u015bci), Augustyn Witu\u0144ski referred to the paintings that adorned the catafalque and to the inscriptions explaining them. Other preachers also noted the splendid architecture of the occasion, praising its creators and sponsors but stressing that the artistic decoration of a funeral is temporary, as opposed to the eternal verbal glorification. Sometimes, at the end of a printed sermon, the course of the ceremony and its d\u00e9cor were described in great detail, for example, in the \u2018Process of the Funeral of Krzysztof Radziwi\u0142\u0142\u2019 (Process pogrzebu Krzysztofa Radziwi\u0142\u0142a). Emblems and flag inscriptions were quoted in ceremonial speeches, such as in the \u2018Andrzej \u0141owcowski Dobka funeral speech to the guests\u2019 (Przemowa do go\u015bci na pogrzebie Andrzeja \u0141owcowskiego Dobka). These motifs of the funeral ceremony and the commemorative architecture revealed the ideas behind the ceremonial programme. Similar information is found in other sources. For example, the correspondence describes flags with inscriptions by Salomon Rysi\u0144ski, Daniel Naborowski and others. The letters also included suggestions on how to decorate festivals and ceremonial processions. Most descriptions of funerals are solemn; the authors sought to capture the ceremonies. However, some texts wittily comment on particular motifs in the design of ceremonies. Examples are manuscript poems by Marcin Dzia\u0142y\u0144ski, which fling at one of Radziwi\u0142\u0142\u2019s catafalque figures in the Vilnius Bernardine Church.<\/p>\n<p><strong>Keywords<\/strong>: Katarzyna Potocka Radziwi\u0142\u0142, Krzysztof Radziwi\u0142\u0142, coat of arms, emblems, artistic decoration<\/p>","protected":false},"excerpt":{"rendered":"<p>Mariola Jarczykowa (PDF) https:\/\/doi.org\/10.53631\/DIS\/2010.4.5 This article discusses texts that refer to the commemorative architecture of the 17th century. These are usually funeral sermons. They describe coats of arms and the decoration of church interiors. In his speech for the funeral of Katarzyna Potocka Radziwi\u0142\u0142, \u2018The Tiara of Eternity\u2019 (Tiara wieczno\u015bci), Augustyn Witu\u0144ski referred to the<a href=\"https:\/\/www.arthistorystudies.lt\/en\/turinys-t-4\/zodziu-iamzinti-vaizdai-xvii-amziaus-progine-architektura-spausdintuose-laidotuviu-pamoksluose-ir-rankrastiniuose-dokumentuose-santrauka\/\">[&#8230;]<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":583,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1709","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/1709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/comments?post=1709"}],"version-history":[{"count":2,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/1709\/revisions"}],"predecessor-version":[{"id":1802,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/1709\/revisions\/1802"}],"up":[{"embeddable":true,"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/pages\/583"}],"wp:attachment":[{"href":"https:\/\/www.arthistorystudies.lt\/en\/wp-json\/wp\/v2\/media?parent=1709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}